We were walking back from the Lifeboat house at the end of Cromer pier earlier this year when something on the cliff wall caught my eye. It looked like a slightly stunted arched window or even a doorway through the flints. Where could it lead? We wandered along the beach towards the lifeboat museum and I forgot about it. I kicked myself when I remembered the arch the next day. I looked online to see if I could find out anything about it but to no avail.
The window in the cliff came back to me more recently as I considered what might count as a curious corner for a blog. Regular readers will know that I settled on quite a broad definition that could be fairly described as 'whatever I happen upon' but I resolved to return to Cromer to investigate soon.
It was Halloween the next time we were there and the clouds blackened accordingly. The last time we had walked the promenade, huge waves were crashing against the thick, curved concrete walls, showering onlookers with sea spray. This time the waves gently lapped onto the beach.
Like any coastal town Cromer benefits from the sea but is also characterised by the steps that it takes to protect itself from it's extremes. A huge storm in 1836 destroyed much of Cromer's seafront and prompted efforts to bolster its sea defences including the tiered flint walls that I was looking at from the pier.
The pier itself was built around 1900 to replace an older one that had been damaged beyond repair. The walls that the waves smash against were refaced as part of a major regeneration project from 2013-2015 following another major storm.
I climbed the ramps that lead from the pier up to the top of the cliff. Looking back out to sea, you could better appreciate the view of the wavy lines formed by the shallow steps leading to the pier and an inlaid compass that was added in 2005 to celebrate the proud history of Cromer's lifeboats.
I couldn't find any sign of the window. There was a large noticeboard which was still just about legible despite the raindrops. It describes the compass, pier entertainment, the grand Hotel de Paris that sits above, the rebuilding after 1836 and the lifeboat museum. To my frustration though, there was nothing regarding the arch that I remembered. At least I thought I remembered.
I decided to retrace my steps from that earlier visit so I descended to the pier. The clouds were clearing and the sun shone through creating a rainbow which my photo here doesn't really do justice. I squinted back through the haze toward the wall. For a moment I thought I must have imagined it. I changed my position slightly and suddenly it made sense.
I climbed back up the staggered path. There was an eerie light as the late sun shone in patches across the beach and the hill beyond.
"Could you see it?" my family asked when I got back to them. Sheepishly, I explained that there was no window and that what we had seen was just the silhouette of the noticeboard. To their credit no one tried to throttle me and we wandered off into the town centre to do normal things.
Thanks! It's interesting how our brains interpret ill defined objects in our field of vision. There might be more stories like this as my eyesight gets worse.
The Nestle factory seen from Chapelfield Road (2002) Photo credit: John Fielding . One of my most abiding memories of Norwich as it was when I moved here in the 90s, is the aroma of chocolate wafting past our house in NR1 when the wind was in the right direction. The factory where they made the chocolate was owned by Nestle at that time and stood on the site of what is now Chantry Place . I've heard it said that we often remember smells and sounds better than sights and that is certainly true for me in this case. I only have a vague recollection of dour looking buildings with steel tanks and pipes emerging at various points sitting unobstrusively behind the city wall as I cycled round the inner ring road to get to Blockbuster Video. On one hand, writing about renting videos from a shop makes me feel like a bit of a sepia tinted relic. It also makes me boggle at how long the old Blockbuster Video shop has stood empty. Despi...
Queen's Hills Country Park is situated in the Tud Valley to the west of Costessey which is itself a western suburb of Norwich. It was created at the same time as Queen's Hills housing estate around 15 years ago. The park is roughly delineated by the estate at its north and the River Tud to its south. Over the past year we have all become more familiar with our immediate surroundings than we would ever expected and I have enjoyed discovering how much the park has to offer. The geography of this part of Costessey has been heavily influenced by gravel quarrying. The clatter of gravel travelling through the steel tubes of Longwater Gravel's processing plant on the other side of the Tud valley is familiar enough to have become part of the ambient noise here. When the plant restarted after England's first lockdown in 2020 however, the renewed noise and light came as quite a shock. To the east lie Costessey Pits which have been repurposed as watersports and fishing lakes...
If you have ever driven to Norwich along the A47 from the west you will have noticed a tall concrete structure looming like one of H.G. Wells' aliens in the suburb of Easton. It's a water tower. If you are wondering what they are used for, I can tell you: they are for storing water. You can thank me when that comes up in the pub quiz. East Anglia's flat landscape means that if one was to create a reservoir it would likely be on a similar level as the houses that it was supposed to feed so, without enough gravity, there wouldn't be the pressure in the system for distribution without a lot of pumping. The solution in East Anglia was to increase the gravity by building water towers to store the water so that water could be supplied even in the case of a power cut. The Easton tower is a brutalist design in reinforced concrete so probably originates from 1950s. In the photo at the top you can see three horizontal stripes where it looks like the concrete has had to be rei...
Yes and interesting mystery for Halloween and appropriately moody photos.
ReplyDeleteThanks! It's interesting how our brains interpret ill defined objects in our field of vision. There might be more stories like this as my eyesight gets worse.
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